It is tempting today to let oneself slip into a state of apathy with regards to the dire condition of big-budget filmmaking. All the evidence seems to suggest that we live times of shallow artistic bankruptcy where the box office is concerned. The big studios and their sponsors have it all down to a science; release three-four blockbusters in the summer, start dropping Oscar-bait in the fall, and sprinkle the dead months with every piece of pandering soulless garbage you have left (basically Wayans/Sandler films).
Are things worse then ever? Perhaps, but there is one tremendous silver lining to the never-ending stream of mindless drek that flows into theaters year-after-year; there has never been a better time for comedy. From memes, to animated gifs, to parody videos, to animated spoofs, to youtube supercuts, it seems like no shred of content is now safe from satire. Live events in particular have become a real joy to behold with any oddity or sidestep (usually shelved under the common perils of live broadcasting) instantly being converted into something incredibly funny. Film parodies are legion now, with entire youtube channels existing for the sole purpose of editorializing, reviewing, and demolishing bad films in the most creative ways possible.
It’s exciting to see is just how sophisticated some of these online jesters are, now no longer content with simply throwing their thumbs up or down. The extent to which some films are deconstructed can also be astounding. Seventy-minute reviews of Phantom Menace, fully-produced alternate endings for films accused of botching their third acts (a rich universe in itself), the complexity of this satire has reached territories bordering on the scientific and philosophical.
Mediocrity, it seems, can sometimes be the father of incredible wit.